Digital Products
Working together with Penguin’s global marketing team and technical groups it was a genuine privilege to partner with a publisher whose timeless and distinctive brand has been part of my experience since I could first read.
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Following the success with the Veterans Town Halls online/web engagement I became the creative director for the print and digital asset advertising campaign. We created a set of interactive PDFs and templates for local Veteran Town Hall events. By “designing-in” the imagery and brand style management into the Acrobat software, various print processes and run sizes could easily be produced simply by typing in the event information.
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The new branding and style guide design for The Race Card Project and associated brands have taken over two years of research and development, drawing on cultural influences from around the world. Powerful inspiration has come from stories sent to the project and being part of live events in the US and Europe.
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As the creative lead on my second design re-brand for Narrative 4, I worked closely with the founders Lisa Consiglio and Colum McCann, as well as the board and the communications team.
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My latest design for the new BridgeBox™ identity toolkit has gone into production. It has already been used for some powerful engagements around the US and UK major global tech companies, universities and non-profits. It is a major part of my body of work for The Race Card Project and The Bridge at Aspen. The…
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Land Liberty and Loss is a major new event program from Humanities New York. I was bought in as the creative lead to design and produce a comprehensive set of new digital assets.
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I was the creative director for a new program design on race and identity at the Aspen Institute, founded by former NPR host Michele Norris. As well as establishing the program’s visual identity, I oversaw the style guide development and directed the creative for international campaigns to engage funding partners. The Race Card Project powers the identity-sharing and storytelling products into curriculum tools at The Bridge.
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Working with Jan’s deep back-catalog of directorial work I created a new space that would engage her large film-making audience with her debut novel Hannah’s War.
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For almost a year I have been working with Sebastian Junger, Kristen Eaton, and Congressman Seth Moulton’s team to develop a national database and event platform for returning servicemen and women.
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Working directly with the board, team-leaders and story-tellers I was the creative director on the brand overhaul for the global story-exchange organization Narrative 4. “Today, Narrative 4 is working in four continents, twelve countries, and 18 US states. Our work – rooted in the N4 story exchange – equips people to use their stories…
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Since its inception I have been the Creative Director and Designer for The Race Card Project, and awarded the 2013 Peabody prize for for excellence in electronic media.
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